![]() When moving projects between Premiere and FCP X, whether stereo audio is on one or two tracks does not make a difference as long as when audio spans multiple tracks, the left channel is placed on an odd-track. In the current version of Premiere, stereo audio can appear as a single clip in a single track. NOTE: This project is based on an older Premiere project, where stereo audio spanned two tracks. (Premiere does not care if there are gaps between audio clips, nor if an entire audio track is left blank.) I have found that I get the most reliable transfers when working with multi-track stereo audio when the left channel is placed on an odd-numbered track. Most software assumes that stereo pair audio will be on two separate tracks and further assumes that the left channel starts on an odd track. Notice that all stereo audio starts on an odd-numbered track. There are dissolves between B-roll clips. ![]() There are multiple tracks of audio, most of which are stereo pairs.All media is linked, nothing is off-line. ![]() ![]() Here’s a typical project inside Premiere. However, there are some cautions in this process: Not everything transfers perfectly. ![]() Import the XML file into Final Cut Pro X.Convert the XML file into something Final Cut can read.Export the Premiere project as an XML file.So, in this article, I want to show you how to move a Premiere Pro CC project to Final Cut Pro X. ![]()
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